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Where It All Began

by daviesteelman

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Sven B. Schreiber (sbs)
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Sven B. Schreiber (sbs) Holy crap! This is a fantastic prog album! I found it today in Robert Cameron's collection, and it left me open-mouthed for considerable time... well, there's still hope for prog, as long as sublime music like this is created. Thank you, David Mudie, thank you... really can't thank you enough... You made my day! Favorite track: Rush Of Kings.
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1.
Slab 04:06
2.
Triplets 11:20
Triplets Paradox, Paradigm and Paragon Were triplets, sharing the placenta. They jostled and tangled in their mother’s womb (Up and down and round again!) Each was born rejoicing, satisfied. Paradox defied all intuition, Achieving the apparently impossible. Paragon embodied virtue, wit and charm. (Round and down and up again!) Paradigm was an example to us all. They were the heart and soul of our town, Impressing everyone who met them. We missed them all when they were hounded out (Up and down and round again!) Driven away by hardship, poverty. We’re saddened by the fact that they have gone, Although they’d smiled and said that times will change. We still hear their laughter round every corner And still we feel expectant, full of hope. At what secret spring did those girls drink? Where the hive at which their lips were honeyed? At whose knee did they learn their letters, Sharpening their literary knives? Paradox, Paradigm and Paragon Lie side by side, they rest in peace, Waiting for the trumpet that will split their sleep, Prising open their deaf ears, And the light to wash their bleary eyes. * Time and again I feel myself drawn back To where it all began. Yes, to where it all began.
3.
Rush of Kings In the rush of kings to claim an empty throne the kingdom was destroyed. Potential queens roamed empty palaces, rich but unemployed. No-one saw the subjects slip away, melting back into the hills and forests. The crown became irrelevant, a symbol without meaning. In the battle for a land of milk and honey the harvest failed. Rack-boned cattle fell on cracking river-beds, dying in their droves. Hunger sat content at every table. Marching armies stalled for lack of food. Still the battle raged over a landscape featureless and void. On a windswept beach with spade and bucket we build our wondrous ship. Its keel we make of driftwood, its bulwarks all of sand. We choose a captain, post a watch, call our water “grog”; We weigh anchor, haul on ropes, set imaginary sails. Then we stand vacant as the tide comes in, and our endeavour fails. We called him a red setter, because as the sun went down, he used to bark. Yes, we called him a red setter, ‘cos as the sun went down, he used to bark With a sound like a whale breaching, crashing down onto the water; With a sound like a tree falling, and then a shower of splinters; With a sound like wild horses galloping down a long hill. And his bark was wordless and full of a kind of meaning; And his bark was wordless and full of a kind of meaning, But it made no sense to us. We sense the tired slow-handclap of time impatient for beginning; The deep swell of a tidal wave approaching, readying to break; A whisper in the few remaining trees; an other-worldly light above the clouds; The seventh trumpeter licking his lips and drawing breath…
4.
Shadow Street Shuffle You moved; I moved; We said nothing, Playing shadows. Thinking in double time Slow communication Casting shadows. And the mouse creeps down to the garner floor The cat just smiles, flexes a paw The dog’s away tonight; there’ll be trouble! Looking, taking stock; Across the pathway lie the shadows. Move to intercept the slow trajectory, End up chasing shadows. Somewhere deep beneath the ocean’s heave Skeletal fish gape and grimace. With spark and glow they lure towards their jaws The almost-blind – desperate for light. Puzzled, trying to unravel The complex interplay of light and shadow Trying hard to fathom depth of feeling Groping in the shallows. Silent slips the slow-worm from his home. He keeps his head down. He licks the air. Swans fly overhead into the wind Wing-beats slow, but making headway. Focussing, our gazes meet, engaging; My spirit surges with new-found exuberance. My heart takes up its bed and follows on Curving to the line of least resistance. And how the snail struggles with her burden And how the blackbird shouts his sympathy And how the cuckoo-pint cowers for cover And how the heart leaps and struggles to be free. To be free, to be free.
5.
Grey Rocks 11:20
Grey Rocks The wind wheels From a place of grey rocks Black stones And stinging spray. It whirls and returns Its voice loud and empty. The rocks fall, pulverise, consolidate, rise up, and fall again. The sea surges To the tug of the moon Advancing, receding, Restless and cold. The spaces seethe There’s a mist of ancient stars in tatters across the sky And the wordless voice of the yawning spaces calls. And I am filled with that cry, Dumb, and charged with longing Oh, come Lord, quickly come. Round up the scattering stars; Give language to the voice of silence; Take all the old things And make them new; Tie off this unravelling thread of time; Come and rescue your desolate bride; Break open the universe and come in, Come in, come in, oh, come in. Tectonic plates move Land masses break up and drift apart Life teems and swarms on sea and land. Epochs unfold. Exploiting resources, jostling for dominance, Species adapt or fail. Down on the savannah One species stands up and looks around, Desires lordship of all it surveys. Millennia pass. The human tide washes over continents; The silence retreats. Centuries pass. The tide of human affairs rises and falls. Everything changes; it all stays the same. Endless recombinations But the same old fault lines run right through - Under the sun there’s nothing new. Tune in to the chatter It all merges into a single sound - It’s that same old wordless cry. And I am filled with that cry, Dumb, and charged with longing Oh, come Lord,come Lord, quickly come. Round up the scattering stars; Give language to the voice of silence; Take all the old things And make them new; Tie off this unravelling thread of time; Come and rescue your desolate bride; Break open the universe and come in, Come in, come in, oh, come in. * In the space between heartbeats Between breaths out and in Your hand is protecting the flame of my life. In sunlight and in shadow In starlight and in moonglow You always are my guide and my direction My protection My direction My protection.

about

daviesteelman is the name under which David Mudie writes and records music in the genre of progressive rock. The current release is Where It All Began, a five-track EP studio project comprising around 40 minutes of music.

Some tracks on the current EP have been over 20 years in development, while others have been written recently. From the rocky opener, Slab, to the extended meditation on geological time and human history, Grey Rocks, the EP takes the listener on a progressive journey through the landscapes of daviesteelman’s world. The work hangs on the apocalyptic triptych of Triplets, Rush of Kings and Grey Rocks.

For a physical (CD) copy of the EP, please contact David though the contact link on the right-hand side of this page.

Discover Where It All Began.

credits

released May 21, 2018

All songs written by David Mudie, except Slab, written by Stephen Wells and David Mudie.

All tracks produced, mixed and mastered by David Mudie


Copyright © david mudie 2018

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daviesteelman London, UK

David lives in south London, UK. He has been writing and recording (but rarely finishing!) music for a number of years. He plays keyboards, guitar and bass, and enjoys the process of recording, producing and mixing.
He has played keyboards in The Arrivists and The Othersides, both London-based bands, and regularly played in blues-rock jam nights in south London (before Covid! Those were the days).
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